Sunday, March 17, 2013

Poetry Under the Moonlight

Two things I must admit; I'm not much of a fan of poetry, and I don't like Shakespeare.

Now that you've returned from writing me angry emails, I must say that despite my dislike of these two 'genres', I can still be lured in every once in a while by something excellent. There are of course passages in Shakespeare works that really do catch my attention, and though many people that know me will attest to my frequent rants involving the words 'Seamus Heaney' and 'bollocks', sometimes poetry can strike me. His works for example, are frequently beautiful and very visual, but to me, the only difference between 'short story' and 'poetry' is that the latter has rudely cracked sentences into a jumbled pile of imporoperly capitalised words.


I was surprised yesterday evening then, when I experienced something that gave me a subtle appreciation for poetry when it is read aloud. Perhaps it was the beer, which I don't usually drink, or the scene itself: two strangers, two berliner friends, and myself standing in a ring on the sidewalk after a pleasant evening of karaoke and under the clear, starry sky - but while chatting away to my comrades we were approached by a young man, his shaggy hair and attire befitting of his opening line.

"Hi guys, I'm a poet. Can I recite something of mine to you all?"

Though one of our party was too drunk to realise what was happening and turned away, the rest of us agreed. And so the recitation began.

Again, I must stress the cynic in me towards poetry here, but before I noticed it, in fact within two lines, this young poet somehow managed to do something amazing. He not only recited his work with the emotion and conviction of an artist, but he actually inspired me. No, I'm not going to go and start writing poetry. I still think it's the dung-encrusted sole on the foot of literature, but what I experienced was something highly romanticised. In my head, it conjured imagery of what I imagine many european cities may have been like at the turn of the last century. Some hidden, creative heart beating under the cobblestones by night. Passionate, talented young artists so excited by their work that they want to share it with anyone who will listen, even if that means meeting strangers on the streets under the moonlight to do so.

Now, given that he himself was so drunk that the poem dropped off half way through, I can't say that the ending was excellent, but this fellow put himself on the line and even though he failed in one way, he has no idea how successful he was in another. His story was nothing new; it was the same old garp about a woman loved and lost - but instead, what I saw was his love of words, and this I found far more interesting. It wasn't the subject, but the presentation - his excitement in sharing what he had created, that came across. He played with imagery, and sound, and subtlety, and used the garp story to create something far more alluring, and he loved every second of it.

To me, this small moment added something to Berlin, another angle that was really exciting and interesting, and I realised later that perhaps to truly inspire others, the subject is almost irrelevant - all one really needs to do is be passionate enough.

Jimzip

Monday, March 11, 2013

The Tip Grotto: Part 1

Languages can often be incredibly frustrating. For many of us adult-learners, it is after all as if we're returning to childhood, making mistakes, sometimes embarassing ourselves, and other times remaining awkward and speechless. "If only there were someone out there who knew my pain, and could provide some pretty helpful tips to ease this cumbersome, yet self-inflicted process!", you cry...


Well, few things in life are as challenging as changing your way of thinking, and purposefully placing yourself in such a helpless situation - especially for that timespan in which you feel you're making no progress. Page after page goes by, audio courses get boring, and software is used, but still the struggle goes on to say even simplest thing in conversation. Then, a ta-da moment. Suddenly you speak to someone and something clicks. Even a mere sentence here, or phrase there is a great confidence builder, and motivation returns. Wouldn't it be fab to have them all the time?

Now, I'm no teacher - but it's nice to share what one finds helpful. So, in that vein I've pulled together some notes that have really helped me in my own language adventures, and though you may know some of them already, give them a gander and maybe you'll find something new. This is part 1 of The Tip Grotto:

- ◊ -

- Patience Is A Virtue -

This (ironically) took me a while to understand, but learning a language is akin to training at the gym, or learning a song, or writing a book. It is long, difficult work, and you seldom see any noticeable result. My advice to anyone taking a stab at a new tongue is the same advice people give when you're learning anything; keep at it. Attack from different angles, and suddenly you'll realise you know more than you thought. Hey, you already know one language (sometimes two if you're lucky...), so there's no reason you can't do it again right? A little bit each day will do it. Give it time. Don't give it rest. Grrr.


- Make It Yours -

Personalisation is powerful. It creates a very strong cognitive coupling and keeps things interesting, which in turn makes learning more effective.

What do I mean here? Well ... you're the painter, but for example; a friend of mine uses coloured pens with which he writes new vocabulary, each colour matching the word's gender. Similarly, I use post-it notes and write sentences on them, then stick them in weird places around the house. You could keep a 'learning journal' or replace lines of your favourite songs with phrases in the target language. Here in this image, I've written two words to teach myself how the punctuation marks in Spanish work.

Sidenote: Writing things down is very very helpful, just the act of penning a sentence seems to somewhat magically increase retention. It isn't the be-all-and-end-all of course, you still have to peek at them to get them into the folds of that big brain of yours, but it makes it that much easier (1).


- Choose Your Poison, Carefully -

Watch out for false promises. Claims of 'Master German in 1 Hour!' and so on are just not possible, and they lead to disappointment. Having said that (and somewhat ironically), realising that it isn't true makes these courses more effective sometimes. The logic here? Well, once you subconsciously admit that you know they're lying, you tend to approach the material differently and with a different mindset. Knowing it won't take 1 hour to master german lets you throw that expectation out, and learn without pressure, for example.

If you do purchase or come by such a course, note that there is often value in them, but you'll have to do some 'transmuting' of information to get the most from it. For example; many courses just throw hundreds of phrases at you. There's no way to effectively absorb this information without doing something else with it. Pop them on flash cards, or take out key words or vocab and you'll probably find it's much more effective.


- Be Cool, Soda Pop -

This is one of the most important things. The late Michel Thomas, Polish polyglot and in general just a very cool gent, noted frequently that 'stress is an inhibitor to learning' - and as far as I am concerned, he was absoutely right. Languages are particularly daunting, but don't stress! Smile, breathe, and learn in a calm place where you can focus. As before, make it fun and relaxing for yourself in any way you can. Try not to work with the tv or music on too, it really messes with your head and sucks concentration out (interestingly, one type music said to help and possibly improve concentration is classical baroque). The key here, relax, and enjoy the process. You are making progress whether you notice it or not, be proud of that!
- ◊ -

A short tangent here; I am (admittedly) a culprit of the deep sigh. Many times, when I come across a new concept I just can't get my head around, I tend to make some kind of animalistic noise and pray for a divine, Lyra Bellaqua-esque boon to come across my brain (this only happened once, and if you missed my infallible performance of Rachmaninov, then shame on you...). But learning to love these moments is possible. With a moment of oblique thinking, problems become games, and who doesn't like games?

I suppose my closing point here is that the challenges that accompany langauges are numerous, but as many have proved, it is of course totally within your reach! I hope some of these tips have been helpful, good luck to you, and please post any questions and comments below.

Stay tuned for part 2.

Jimzip


(1) There's a great program called Anki which I find invaluable, it's flash cards done right, designed with proper time-based recall and a great mobile app. It's pricey (iPhone/Android version $25) but worth it if you are serious. The app for Mac/PC is free,and super powerful.

Thursday, January 31, 2013

Thefty Monsters & Freedom

To me, the theft of my bike last week was as a deathknell of sorts - at least to my stint in Vancouver. It gave me an odd sense of closure to a few stressful months back in the city I came to know so well. Being there slap in the middle of winter did not help the post-theft downer much either.

I often remark that no matter where I am in the world, my three most important possessions (other than essentials like wallet and clothing) are without doubt my laptop, my camera and my bike. In particular, it is because these three items give me what I consider almost total freedom. They allow me to be spontaneous, and they let me stay professionally, creatively and physically active wherever I end up, and that is something I value greatly.


Despite what you'll often hear, it is amazingly liberating to have no car. I have continuously been told throughout my life how useful a licence would be, and how much I would love the freedom a car provides. True, possibly. Yet in an ironic twiddle, I actually feel that I have been able to do things and reach places no driver can without one. I'm certain that I have traveled and explored places more intimately by bike and on foot than I ever could have in a vehicle. The ability to swing down a sidestreet or through a park, to swerve onto the sidewalk, lock it up wherever you feel works, or hop off a any moment is truly a great feeling. With a backpack and a bottle of water on hand, I guess it's just a question of which street to pick today. Also it's cheap.

When my bike disappeared therefore, I felt like I had been slapped. It was something of a rude reminder that in the city with such incredible beauty and such great people, there is ever that undercurrent of something lurking just underneath the veneer. Having gone through multiple thefts here (some by my own design, but most just plain bad luck) I wasn't really too perturbed. In truth, the reaction when I came upon the vacant spot in the bike rack was closer to a short, accepting nod of the head and 'huh' than shock.

Despite having most of my possessions re-distributed among the city's lesser-fortunate though, I must say I certainly still love Vancouver. Some of my best friends are here, and I hope to return often - but perhaps next time I'll just come back in the summer ... the sun, sea, and fun are enough to tear any unpleasantness far into the horizon.

For now, a ticket is booked for me back to Europe, and Berlin, where a new bike and more exploring awaits.

Jimzip

Monday, September 10, 2012

Characters. Roaming.

A favourite quote of mine came from an american author; "for me, really, the written word is always stronger than film", and though I'm useless against the wash of a great cinematic score, I must say I agree.

One of the most fascinating things about writing is that, with these little characters you see before you now, images, thoughts and emotions can be evoked so strongly that perhaps one could actually be moved to tears by the death of a character, or laugh aloud at an amusing utterance from another. It's somewhat bizarre that we create such a natural link to these tiny dots and lines, so much so that often, it's as if we're hearing a voice narrate them in our heads. Yet perhaps this link between text and thought is natural after all. People have used sketches and symbols to communicate as long as we've been around. It's as if writing is the third part, the missing link, or the yong that the ying and yang of speech and gesture simply can't live without.

I used to scoff quietly at authors who explained how characters 'live inside their heads', but like a convert to vegemite (yes, they're rare), I now understand what they were saying. All this information needs to exist somewhere first before hitting the stone, or paper, or stylus, and in the mind of the creator is the most pure form it can take.

In the story I'm working on, Merius, the main character, took a while to develop. I would have one idea for him, then another. His appearance changed a little, his mannerisms changed a lot. This is simply the process you go through when writing. Then like reverse-footage of a chocolate statue coming out of a cooking pot - they solidified, and Merius seemingly became someone I actually know in my head.

Perhaps this weird sensation is because as a writer, you spend so much darned time with the character that eventually your mind is tricked into thinking they exist. Perhaps it's aliens. But regardless, it is great fun writing him.

There are some moments which, in many stories I read have been left out, the appreciation of something simple, or that night alone reading a book in your duvet, and I feel these are important. They're realistic - and though sometimes admittedly a little dry for the reader - they give Merius a texture which I think secretly we all appreciate.

As well as this, there are interesting traits that I've never given a character before, but that I think have been really challenging to deal with. His experiences outside his tightly-controlled home for example, are an oddity. For us things like a cobblestone street may be mildly interesting, but certainly not awe-worthy. But for Merius every little thing that lies outside the Castellum is totally new, and it's been tough to understate his wonderment and make his discoveries bearable for the reader, who is already more than familiar with these things, while still conveying his excitement and interest.

His feelings for Allion, Derek and Arliane (in Part 2 particularly) would be still another. Merius has never had true friends aside from his fellow Adherent, Trevars. The concept of a relationship is completely foreign to the Castellum inhabitants, so for these people to fall into Merius' life is a foreign concept for him.

Because of all this, I find it fascinating to develop these moments. For some reason I find it really endearing to watch this character learn about his own interests from a distance - despite my supposedly dictating his every move. Instead, this is where the character for me is very much alive and doing his own thing in my head. I'm simply picking and choosing the parts I want to share.

Fascinating, maybe, but admittedly it's also quite hard to manage. I am acutely aware that I'm not just overloading the character, but the reader also, and I'm always aware that readers may get switched off by the amount of information I'm trying to pass over. So, I have to be a little careful. My goal is obviously to keep it interesting and balance these moments out. I think then the payoff for the reader will be worth it, especially once some of the puzzles begin to get resolved. In short, I know it's important to have a good balance of intrigue and explanation, and hopefully readers will find this when they dive in.

I'm so excited to be working on this book. Once you make a decision to commit to something like this, failure or success, it's a great experience - and merely going through the motions and finding my style as a writer has been fun, no matter the outcome.

Jimzip

Monday, January 16, 2012

A Deep Breath

It was quiet in the office last week. Not horrifically so, we hadn't resorted to braiding each other's hair and singing German folk songs, but quiet enough.

In the absence of work and after taking stock and sorting everything on the desk alphabetically however, I decided to follow a winding road and explore Norway ... digitally of course. You can cover a great deal of the country on google maps, moreso than I actually imagined - I don't think there was a fjord missed or a hytta unseen - and it made for quite the questy afternoon.

Unfortunately this virtual escape did the opposite of making time pass by. Instead it instilled in me a longing to sit once more, cramped and stifled in the coach of Air China (or whatever similar airline my meagre savings could afford) and sharing my personal space with a rotund version of Gilbert Gottfried for barely an hour short of my breaking point, thence at last to be released into the wild, fresh air of the North once again. Freedom! Beautiful freedom!

I have this crazy idea of exploring the Scandinavian tip of the world by motorbike, and possibly not returning for a while, instead content to live in various seaside cottages of small towns, where I would pass my hours chatting to locals by evening at the pub, learning about their fishing exploits, and the days wandering the coastline and tundra with some awesome camera in tow to catch that perfect shot of ... whatever it is the North felt like providing. This in itself shows the thoroughness of my thought processes, and perhaps the fallibility of my plans. One can dream.

In any case, for now I'm just glad to have conjured up the money for a trip to Turkey and Berlin in the coming months. This particular e-ticket will land me first in Istanbul, capital of that mysterious, humid bastion of east & west which I'm eagerly awaiting to explore again, map in pocket, phrasebook in hand and with a small group of friends.

I will be posting some photos (taken with my less than awesome camera) on this blog, and hopefully some new articles will be inspired. Huzzah!
</excited rant>

Jimzip

Tuesday, January 10, 2012

Das Buch

Leaping again into the murky and ridiculously vacuous time vortex that is creative writing, I struggled for the longest time to get a chokehold on an idea I liked enough to expand on. I've never had a problem with writer's block (perhaps but hopefully not because my writing isn't intellectual or thought-provoking enough) but not having writer's block can also be a problem.

I had a pile of papers, each one littered with notes and concepts for stories, some with accompanying drafts of the first chapter or two, some with a big question mark dotted over the title or main character's name. None of them really leapt out at me. I had a string of narratives and a chorus line of characters rampaging through the 'random' folder on my hard-drive in various text files, annoying me with their dramatic introductions and semi-formed personas, but I didn't really click with any of them.

Of course, as often happens, it was when I was not trying that the eventual 'worthwhile' idea presented itself, and now a year and a half later I have a draft of the first part of The Binding of Ciltari, a fantasy/drama set in another place, another time, and I'm really happy with how it's emerging.

I just had a number of copies printed and flung them into the postage system to test on some poor, unwitting subjects and so far the response has been interesting. Thankfully - and perhaps due to my friends and family being too nice to knock me down a few pegs - it's been mostly positive. The feedback has been astute and invaluable in helping me make a couple of decisions and pointing out what needs to be fixed up before the next draft is ready - in other words there are definite changes to make, but that's writing.

You can see what's happening at www.BindingOfCiltari.com, though updates aren't going to be too frequent for a while. Hopefully I can also post a few tidbits here too.

Jimzip

Monday, November 14, 2011

The Queen of the Adriatic - Part 2

Read Part 1 here

Though hundreds of churches seem to dot the skyline of this lagoon city, undoubtedly one of Venice's most beautiful monuments is the Basilica de San Marco, the decadent church constructed in honour of the city's patron saint.

Though the entire facade is a dizzying array of marble sculptures, finely polished columns and intricate stonework, it's upon the loggetta of the structure that one of the most mysterious sculptures still surviving from the ancient world stands, a quadriga which overlooks the grand Piazzetta and confronts visitors with curious tilted heads, proudly raised hooves and stoic expressions. These horses have been greeting people in the same manner for over a thousand years and though these statues are fakes, they nonetheless excude the same air of potent grandeur as their original cousins who in fact live only a few feet away, concealed in shadow.

Two of the four horses atop the loggetta.

The real horses of St. Marks have not always lived in Venice, they have a shaky history, one that has taken a deep plunge into the pool of historic puzzle-piecing and has emerged with a more than turbulent story. They have in fact traveled across the mediterranean and have presumably also witnessed some of history's most exhilarating moments, from adorning the triumphal arch in Emperor Constantine's newly created capital Constantinople, to being settled temporarily in Paris after Napoleon's wave of domination through Europe. They were spoils of war, and gifts of the most extravagant nature, but they have always found a home in some dramatic position no matter who their former owners might have been.

The originals are protected from the elements, nestled inside the basilica on the upper level and tucked into a corner behind glass. They are bronze as the fakes are, and were created utilising a lengthy process known as the 'lost wax' technique, which requires a sculpture to first be created in stone, clay or another material from which a cast is made and eventually used to produce the final metal reproduction. This of course means that even these bronze 'originals' aren't really originals .... at some point in history there was indeed a sculpture made of a less durable material, but unsurprisingly, this has been lost somewhere along the lines of the supposed two thousand years of the piece, in Rome, or Greece, or wherever they came from.

Part of the reason why these horses have remained such a tantalising puzzle for historians and archaeologists is that their past is so obscure, many have tried to place them originating from this or that city in the ancient world and many characters throughout history have mentioned them - or what is believed to be them - in various documents. The fact remains that their true story will most likely always be unknown, apart from what we can glean through the more recent accounts we have, paintings and historical writings being the largest source.

You can also glean things about the past just by looking, of course. A close inspection reveals that the horses were in fact bridled at some point, which could indicate the presence of a chariot or at least reins which were removed at some stage, and an engraving from 1740 shows that the horses once bore decorative collars as well, which have now been replaced by less-spectacular placeholders (1).

Napoleon himself saw great value in the quartet, and in December of 1797 had them removed from the basilica of St. Marks to be sent to Paris. Later after much difficulty on the part of a particular Italian artist (and by the Italian government themselves) the statues once more made their way back to Rome, and finally were settled back on their logetta in 1815.

Napoleon's troops assembled outside the Tuileries in Paris in the late 1700's.
The horses can be seen standing on the pillars of the outer fence.

No matter the past, the horses are as much today a symbol of power and elegance as ever, and Venice has a knack for procuring those sorts of items. Their re-introduction to the city was a great windfall for the populace, who hadn't been too keen on Napoleon comandeering the items in his plunderous sweep, but Venice it not the horses true home either. Will the Greeks one day rise up in protest to have them back? Probably not, but they're definitely worth the 2 Euros it costs to see them, if you're ever visiting the city and wish to witness some of history's most dramatic and lesser known artifacts.

You can read the most comprehensive history of the horses to date in Charles Freeman's 'The Horses of St. Mark's' (Abacus, 2007).

Jimzip

1. Freeman, Charles. The Horses of St. Marks p. 173